Signed Art Glass

List Price: $300.00
Sale Price: $249.98
You save: $50.02 (17%)

See Reviews For This Product

Description

Decanter Green - Designed By Kjell Engman - The Very Name Suggests That Macho Would Be An Ideal Gift For The Alpha Males In Your Life. From The Lug Bolt Stopper To The Bold Strokes Of Color To The Sensual, Undulating - Made In Imported

Perfectly named, the Kosta Boda Macho line of decanters adds a rugged, masculine element to the airy beauty of glass. Designed for dispensing spirits in style, the pieces are appropriately fluid in form, with swooping silhouettes that nestle smartly together or look handsome individually. A flowing layer of interior color adds to pouring pleasure, and, as a final touch, each decanter's cap is designed to look like a bolt. Created by the artist Kjell Engman, the decanters are handcrafted by master glassmakers in Kosta Boda's Swedish glassworks. Because of natural variations in the creative process, each edition is distinct and original, with its own blend of colors and lines. This large decanter features a red accent, which may vary from brick to flame-colored in your particular edition. It is completely lead-free, stands 7-7/8 inches high, and should be washed by hand for best results. --Emily Bedard From the Manufacturer About the Designer Born in 1946, Kjell Engman has been retained by Kosta Boda since 1978 and has a studio at Boda glassworks. A tirelessly productive visual artist with unbounded imagination and a passion for narrative, Engman finds free expression through both utility glass and art glass. He gets his inspiration from the most diverse sources, not least from the animal kingdom and the world of music and entertainment. He often works on large installations in which he also combines elements of sound and light. Frequently commissioned for public works both in Sweden and abroad, he is personally responsible for one fifth of Kosta Boda's catalog range. About Kosta Boda With characteristic craftsmanship and good design, Kosta Boda has become one of the leading glasshouses in the world. The company's three glassworks in the villages of Kosta, Boda, and Åfors each have exciting individual stories of their own yet stand together under the common brand name Kosta Boda. The corps of designers currently on retainer at Kosta Boda works with both utilitarian and art glass. Glass results from a great many meetings between people--artists, craftspeople, and lovers of glass. The artists of Kosta Boda have a decisive role to play in all the creative stages of the process. The cooperation between the designers and the skilled craftspeople is very close; indeed, it is essential if the designers are to transfer their intentions to the glass. The History of Kosta Boda Kosta, the parent glassworks of Kosta Boda and the oldest glassworks in Sweden still in operation, has a fascinating history that forms a valuable part of Swedish cultural heritage. The glassworks was founded in 1742 by the governors of the counties of Kronoberg and Kalmar, Anders Koskull and Georg Bogislaus Stael von Holstein, both former generals in the army of Karl XII and distinguished veterans of the battle of Narva, among others. The two county governors founded the glassworks upon the instructions of Fredrik I and modeled it on Continental glassworks. The works was situated deep in the spruce forests of Småland, on a site midway between the two country towns, and near a village that was then known as Dåfvedshult. The main reason for choosing this location was the unlimited availability of wood. Enormous quantities of wood were naturally required to keep the glassmaking furnaces burning day and night. Both of the founders wanted their names to be remembered, so the works was christened Kosta, from the initial letters--Ko and Sta--of the surnames of both the Carolinian generals. After a time the entire community was renamed after the growing glassworks. During the first 150 years, the glassworks in Kosta produced only utility glass, including window glass for the building of Tessin's Royal Palace, bottles and glass for the royal household, and chandeliers for churches. The first glassblowers were immigrant glass masters from Böhmen. They became the founding fathers of the glassblowing families, which passed down craft skills from generation to generation. Swedish sand was used to manufacture crystal glass, but nowadays pure silica sand is imported from Belgium, since the Swedish sand contains iron oxide that gives the glass a green tinge. Under the management of glass masters from Kosta, a succession of glassworks sprang up in the forests of Småland in the regions around Växjö and Kalmar. Kosta therefore has good reason to call itself the parent works of the entire Swedish Kingdom of Crystal. Until the end of the 19th century, the glass from Kosta was designed by the glassblowers themselves. At the Stockholm exhibition in 1897, the glassworks was criticized for the uniformity of its glass, which led to the idea of enlisting designers and artists in production. The first designer to be employed by Kosta was Gunnar Wennerberg. The year was 1898. Ever since then a large number of artists and designers have enriched the glassmaking tradition of the works with their artistic talents. Today Kosta Boda has a unique right to describe itself as an art industry, in which designers and craftspeople work closely together in the ongoing development of handmade utility glass and art glass. This diversity of individual artistic expression and the free and uninhibited creative process have become the distinguishing characteristics of the Kosta Boda brand. In addition to the parent works in Kosta, Kosta Boda today includes the two "daughter works" of Boda (founded in 1864) and Åfors (founded in 1876), a partnership that was formed in 1964. Both Boda and Åfors were originally relatively simple glassworks that manufactured utility glass. Boda experienced a period of glory in the 1960s and 1970s, under the innovative and dynamic artistic leadership of Erik Höglund, a heritage carried on by Kjell Engman and Monica Backström. Åfors has been the home of the designer couple Ulrica Hydman-Vallien and Bertil Vallien, who, together with Gunnel Sahlin and Olle Brozén, brought a renaissance to the small glassworks and local community. In 1990 Kosta was acquired by its former competitor Orrefors. Orrefors/Kosta Boda was in turn acquired by the Danish company Royal Copenhagen in 1997, and the design group Royal Scandinavia was formed. The group also includes Georg Jensen, Royal Copenhagen, and Holmegaard. Colorful, handmade art glass from the works in Kosta, Boda, and Åfors have made Kosta Boda one of Sweden's strongest brands and one of the world's leading glass companies. Glass from Kosta Boda is sold all over the world. Roughly 50 percent of production is sold outside Scandinavia, with some of the biggest markets in the U.S., Japan, Germany, and Australia. The origins of this glass, the living tradition of craftsmanship developed in the glassworks in Kosta, Boda, and Åfors, is a heritage that every Swede has a right to feel proud of. Taking Care of Kosta Boda Pieces Handmade and hand-painted glass (especially the latter) does not do well in the dishwasher. Wash by hand in hot water--though not too hot--with a little washing-up liquid. Washing in very hot water will eventually destroy the luster of the glass. Rinse in water of about the same temperature as you washed it in. To avoid cracking the glass, make sure you do not expose it to excessive temperature differences. To avoid lines, dry with a soft cloth that won't shed lint. The edge of the glass is its most fragile part. When you put the glass back in the cupboard, stand it on its foot and make sure the edge does not come into contact with other glasses or objects. The Mark or Signature on Kosta Boda Pieces Products are marked with the words Kosta Boda, the name of the artist, and the article number (seven digits). Painted pieces are signed with a painted signature with the designer's and the painter's initials. Engraved pieces also have the engraver's signature near the designer's name. Besides designing glass for the regular Kosta Boda collection, our artists are also free to work with art glass--limited-edition, specially signed pieces that are often much sought after by collectors. Kosta Boda art glass is divided into two categories: unique pieces and limited editions. Unique pieces are, of course, just that. No more than one piece is made of any particular item. Limited editions are manufactured in runs of between 25 and 1,000 pieces. All art glass is marked with the product number, the name of the artist, and the size of the edition so that the purchaser will know exactly how many pieces there are in that particular series. Editions comprising less than 60 pieces are individually numbered, e.g. "25/60."

Features

• Elegant and masculine glass decanter sculpture, 7-7/8 inches high
• Designed by artist Kjell Engman; other sizes and colors also available
• Handmade by master glassmakers in Kosta Boda's Swedish glassworks
• Each edition is distinctive and original in appearance
• Completely lead-free materials; washing by hand recommended

Sale Price: $180.00

See Reviews For This Product

Description

Set of 4. Elegantly shaped ruby red wine glasses. These are perfect for a ruby anniversary and for any other special occasion. They can also double as candle holders. One of a kind, hand painted, signed by artisan. Love the glasses but don't love the color? You may special order another color by contacting ArtisanStreet. Made in America.

Features

• Individually hand painted & signed by artisan
• Set of 4 ruby red wine glasses with very elegant shape
• Measure 9 x 3 ½ inches; tall glasses can also be used as candle holders
• Hand wash only
• Makes a beautiful wedding, shower or housewarming gift

List Price: $60.00
Sale Price: $42.50
You save: $17.50 (29%)

See Reviews For This Product

Description

Does your family leave cookies out for Santa Claus every year? Many families embrace this tradition at Christmas time. Santa deserves a special plate for his annual trip. This hand painted Santa Claus cookie plate & matching cup will brighten up his visit and your home during the holidays. Made to order, signed by artisan. Stand not included. Usually ships within 3 to 5 days from receipt of order.
Please note: this set is for display only and should not be used for food. MADE IN AMERICA.

Features

• Individually hand painted & signed by artisan
• Made to order 2-piece set includes cookie plate & cup for Santa's visit
• Plate: 6 inch diameter, cup: 3½ inches high
• Makes a great gift or purchase for your own home
• For display only. DO NOT USE FOR FOOD.

List Price: $13.98
Sale Price: $7.42
You save: $6.56 (47%)

See Reviews For This Product

Description

No Description AvailableNo Track Information AvailableMedia Type: CDArtist: JACK'S MANNEQUINTitle: EVERYTHING IN TRANSITStreet Release Date: 08/23/2005

Sale Price: $64.99

See Reviews For This Product

Description

Strange as it seems now, the last album John Lennon released in his lifetime was intended as a comeback, or rather as a parting wave at retirement: "Watching the Wheels" and "Beautiful Boy" celebrate the joys he found outside the star system, and "(Just Like) Starting Over" is a slightly awkward rocker about rejoining the domestic world that's also sort of about rejoining the pop world. The studio-pro arrangements are a little too slick, but Lennon rarely sounded happier. Ono, whose songs alternate with his in a series of thematic diptychs, was taking a stab at channeling her artier impulses into pop and is generally less successful--her voice works in a context of art-weirdness, but not as well in conventional tunes. This 2000 remastered reissue is fleshed out with a demo of "Help Me to Help Myself" and Ono's solo version of "Walking on Thin Ice," which was recorded on the same day her husband was shot to death. --Douglas Wolk

Sale Price: $112.95

See Reviews For This Product

Description

Measuring approx. 16 inches in height, this sculpture and lamp is a superb representation of the Art Deco style. Made with cold cast bronze, this piece features bold outlines and geometric forms that convey affluence and sophistication. It is even more impressive when doubled up as a pair. The photos do not do justice. The special production process of this piece, originated from Great Britain, uses actual bronze powder mixed in the cold cast resin in order to ensures a richer, more life-like presentation. The polished elegance and refined beauty, combined with its function for everyday use, delivers the essence of Art Deco and provides a captivating visual focus. This piece is heavy and well made. The power cord has a on/off switch and the bottom is padded for the protection of your furniture. Simply put, very much a class act quality product.

Features

• 16 inches tall
• Body made with cold cast bronze, glass globe included
• On-off switch on the power cord
• Uses 15w night light type light bulb
• UL listed

List Price: $24.99
Sale Price: $3.79
You save: $21.20 (85%)

See Reviews For This Product

Description

"The man in black fled across the desert, and the gunslinger followed." With those words, millions of readers were introduced to Stephen King's Roland -- an implacable gunslinger in search of the enigmatic Dark Tower, powering his way through a dangerous land filled with ancient technology and deadly magic. Now, in a comic book personally overseen by King himself, Roland's past is revealed! Sumptuously drawn by Jae Lee and Richard Isanove, adapted by long-time Stephen King expert Robin Furth (author of Stephen King's The Dark Tower: A Concordance) and scripted by New York Times Best-seller Peter David, this series delves deep into Roland's origins -- the perfect introduction to this incredibly realized world, while long-time fans will thrill to adventures merely hinted at in the novels. Be there for the very beginning of a modern classic of fantasy literature!

"The man in black fled across the desert, and the gunslinger followed." With those words, millions of readers were introduced to Stephen King's Roland - an implacable gunslinger in search of the enigmatic Dark Tower, powering his way through a dangerous land filled with ancient technology and deadly magic. Now, in a comic book personally overseen by King himself, Roland's past is revealed! Sumptuously drawn by Jae Lee and Richard Isanove, adapted by long-time Stephen King expert Robin Furth (author of Stephen King's The Dark Tower: A Concordance) and scripted by New York Times bestseller Peter David, this series delves in depth into Roland's origins - the perfect introduction to this incredibly realized world; while long-time fans will thrill to adventures merely hinted at in the novels. Be there for the very beginning of a modern classic of fantasy literature! Collects Dark Tower: The Gunslinger Born #1-7. Questions for The Dark Tower Illustrators, Peter David and Robin Furth Amazon.com: How closely did you work with Stephen King on this project? Peter David: Robin worked far more closely with Steve before the fact, as it were, working out the overall story arcs and beats. My association was more after the fact: I wrote the scripting, which then went to King who provided the line edits and tweaks. Robin Furth: I've been working with Steve King (and Roland!) for about seven years now, so the three of us have quite a long history. While working on The Gunslinger Born, I ran my outlines by Steve King and Chuck Verrill (Steve's editor) at the same time that I ran them by our Marvel editors. After all, The Dark Tower is Steve's child so it's only right for him to have first dibs on any changes. I feel it's really important that Steve has final say about The Long Road Home. Hence, I always try to make sure he sees everything as soon as I can send drafts to him, and that includes the articles I write and which are at the end of each issue. Steve has been really supportive of this whole project which has been great. I was lucky enough to be with Steve while he looked through some of Jae's early sketches for The Gunslinger Born and his reaction was a lot like mine—it felt as though somebody had reached into his imagination and had taken his characters and given them a physical existence. I think that's pretty high praise, don't you? Amazon.com: Roland is one of the most iconic characters King has ever created. How hard was it to get him (and the other characters) "right" on the page? Did any iterations get vetoed by King? Robin Furth: We were really lucky with The Gunslinger Born because we could adapt scenes directly from Wizard and Glass. We could really stick to Steve's descriptions. (Occasionally we dipped into other Dark Tower novels, but on the whole, Wizard and Glass was our template.) The Long Road Home was a little more complicated since we spun the story from scattered tales that Roland tells about his youth—stories that are found throughout the Dark Tower books. (As you can imagine, I used my Concordance quite a lot while I was working on the outlines!) To tell the truth, Roland has such a strong personality that he feels almost human. I even dream about the guy, and once or twice I swear I've seen his shadow pacing past my writing room door. (No joke.) But even when it comes to writing about someone you know well, every person has their own perspective. As long as Steve King feels like we've caught Roland's youthful self, I'm happy. If longtime Dark Tower fans feel we have, then I'll be INCREDIBLY happy. So far Steve has been pleased with our approach. Fingers crossed that the fans will feel the same way! Peter David: King was very supportive of the license we took in terms of both the story compression and narrative stylizations that Robin and I undertook that were required to take a work of such massive scope and transform it into something that works as a graphic series. Amazon.com: What was the most challenging aspect of this particular project? Peter David: For me? Stage fright. Steve had stated that, as "a words guy," he was awaiting the scripts with great anticipation. That's pretty daunting, knowing that Stephen King is going to be going over my interpretation of what is arguably is most personal work. Robin Furth: I suppose the biggest challenge has always been (in Mid-World speak) to stand true. In other words, to remain true to our original mission and to translate the Dark Tower universe from novel form to comic book form. The Dark Tower universe is so big that we have to do a lot of condensing. It's both scary and exhilarating. Amazon.com: Robin, I imagine it is challenging to fit a several thousand page series into a graphic novel. As the DT aficionado, was it hard to adapt this series? What parts of the book did you wish you could include but had to cut because it just wouldn't fit? Robin Furth: It certainly has been challenging (you should see the state of my fingernails), but it has also been a really great experience. I have learned huge amounts about comics and about storytelling. I have always loved Roland, Alain, Cuthbert, and Susan so it has been wonderful to work with them again. There's something very moving about working with young Roland—the boy who grew into such a hard and (at times) unforgiving man. You see the wounds that later become calluses, if you know what I mean. As for the parts of the book I had to cut—there are many! When we first started working on these comics, The Gunslinger Born was supposed to be six issues long. I handed in eight issues! In the end we managed to cut back to seven, which worked well. In retrospect, I guess the greatest challenge has been to know when to stick to the plot of Wizard and Glass and when to borrow from other books (or occasionally even other parts of the Dark Tower universe) in order to fill out Mid-World for those who don't know the novels, or to make the comics ring true for long-term fans. That takes a lot of careful planning and sometimes it means taking risks, but if it works it's really worth it. Amazon.com: Peter, What was it like to work with Robin and King on this project? Have you worked closely with writers before on adaptations of their work? Peter David: It was both exciting and daunting: exciting being part of something as ambitious and potentially groundbreaking as this endeavor, and daunting in that King is a writing god whom I desperately wanted to please with my interpretations. No, I've never worked with a writer adapting his work before, which is why this was new territory for me: And what a place to start, huh? It's difficult to imagine any subsequent experience with adapting someone's work measuring up to this. Amazon.com: What is your favorite panel? Robin Furth: I must say I like them all, so I don't know if I could choose. However Jae recently sent me the cover for the first issue of The Long Road Home, and I think that would be in my top ten! Peter David: I'm torn on that. In terms of story narrative, the one where Roland and Susan give in to their passion. In terms of pure iconic power, that two-page spread early on where we first see Roland, as the gunslinger, in pursuit of the man in black. You never have a second chance to make a good first impression, and Jae and Richard just absolutely nailed it.

List Price: $135.00
Sale Price: $82.40
You save: $52.60 (39%)

See Reviews For This Product

Description

Tom Ford has become one of fashion's great icons. In the past decade, he transformed Gucci from a moribund accessories label into one of the sexiest fashion brands in the world. His designs have increased sales at Gucci tenfold and have helped build the Gucci brand into the luxury goods conglomerate that it is today. Ford brought a hard-edged style synonymous with 21st century glamour to his clothes, and Hollywood sat up and took note.This book is a complete catalogue of Ford's design work for both Gucci and Yves Saint Laurent from 1994 to 2004. It chronicles not only Ford's clothing and accessories designs for both houses, but also explores Ford's grand vision for the complete design of a brand, including architecture, store design, and advertising.Tom Ford features more than 200 photographs by Richard Avedon, Mario Testino, Steven Meisel, Helmut Newton, Herb Ritts, Terry Richardson, Craig McDean, Todd Eberle, and numerous other photographers including many previously unpublished images.Published to coincide with his departure from Gucci, this book has been created with Ford's full cooperation and every page reflects his exceptional taste. It is Ford's testament to a career of singular moments reinventing the boundaries of style and sensuality in clothing.

List Price: $32.50
Sale Price: $17.40
You save: $15.10 (46%)

See Reviews For This Product

Description

The Renwick Gallery of the Smithsonian American Art Museum features one of the finest collections of American craft in the United States.

Features

• Marvel at four decades of award-winning organic sculptures by American glass sculptor Dale Chihuly
• A vivid chronicle of his life's work, this extraordinary album includes more than 500 colorful pictures, selected by the artist himself and most never before published
• Quotations, descriptions and short texts on his most important pieces accompany each image
• One of only a handful of Americans granted a solo exhibition at the Musée des Arts Décoratifs, Paris, and co-founder of the renowned Pilchuck Glass School outside Seattle, Washington, his creations range from intimate smaller pieces to room-sized outdoor installations.
• Hardcover, 744 pages. 9.5" x 6.5"